In this page you can find Class 9 English Extra Questions and Class 9 English Kaveri Chapter 3 Winds of Change Extra Questions and Answers will make your practice complete.
Winds of Change Extra Question Answer
Winds of Change Class 9 Extra Question Answer
Question 1.
What is pankha? How is it different from pankhi?
Answer:
Pankha or punkha refers to all types of fAnswer: We can find its root in the word ‘pankh’ which is related to a bird. However, the word ‘pankhi’ denotes a small plumed fan that was used in ancient India.
Question 2.
Where can you find the evidence of the existence of pankhi in ancient India?
Answer:
In India we have several sources to find the existence and use of pankhi in ancient time. Buddhist wall paintings at Ajanta bears several evidences. These wall paintings dates back to the 2nd century CE. Moreover, our embroidery work, sculptures and carvings are also the proofs of pankhi in ancient times.
Question 3.
Infer the writer’s view about the wide use of pankha in ancient times.
Answer:
The writer states the various uses of pankha in ancient times. In the temples, pankhas were used to fan deities. On the other hand, these pankhas were used to fan the king in the royal courts. About its size, he says that these pankhas had different sizes from a tiny two inch to a large one, but should be a person’s full arm strength so that they may easily move it.
Winds of Change Class 9 Short Question Answer
Question 1.
What does the writer mean when he says that in ancient times pankhas were considered exotic and stylish?
Answer:
The writer means that during the ancient period, pankhas had become significant cultural items. One can find their presence in the various trade routes. In India these fans were produced in the different parts and many ones also came from the other countries. Obviously, these pankhas were attractive and fashionable.
Question 2.
Support the following statements with any one relevant example from the text.
In ancient times, pankhas were offered to temples to fan deities. This tradition is still continued in some states of India.
Answer:
In modern times, in states like Rajasthan, some particular pankhas are produced. These pankhas have brass engravings and a long handle. The painted hand fan having various images are generally offered to gods.
Question 3.
The state of Gujarat in India produces some distinct pahkhas. Evaluate.
Answer:
Gujarat is known for its distinct style of pankhamaking. These hand fans are elegant pure cottonbased fans that are decorated with mirror work. The home-base industrious women of the state have a huge contribution to this trade. In their work, they still maintain their traditional craft of the state.
Question 4.
How are the artisans of Bengal emotionally attached with their pankhas?
Answer:
The artisans in Bengal make soft pankhas. They use materials like beautiful milky-white spongy centre of sola. The palm leaf hand fans are locally referred to as Tal Patar Pankha. These fans are easy to carry, and people often treat them as an article of possession in every Bengali household.
Question 5.
Give evidence from the text to support the given statement.
The pankhas of states like Uttar Pradesh, Odisha and Bihar have connected the whole country.
Answer:
The Phadh hand fans of Uttar Pradesh, decorated with pure gold, silver zari, silk, and satin frills have special attraction for people. The large palm leaf fans of Odisha and the colourful and sturdy bamboo hand fans of Bihar are found across the country. Their antiquity and rarity are par excellence have crossed the border of their respective states. Thus, the traditional craft involved in the making of these pankhas have connected the whole country.
Question 6.
The fans produced by the tribal people of India give evidence of their sound combination of colours. Analyse.
Answer:
The pankha-making culture has also influenced the tribal people of India. They use geometrical patterns and the white ink and red background combinations in some particular way. This has helped them create multiple beautifully designed pankhas.
Question 7.
Infer one negative impact of the advent of technology and innovative creations on the pankha-making culture.
Answer:
With the advent of technology and innovative creations, the significant culture of pankhas is running a risk. It is slowly losing its presence among the Indian people. Once pankhas were made for personal use, but now people make pankhas for commercial use, as it provides jobs to the people involved in this trade.
Question 8.
The origin of pankhas is deeply related to our history. Infer. [Inference]
Answer:
This statement can be supported by the religious and historical evidences. In the Buddhist texts, the wall paintings at Ajanta accept the existence of pankhas in ancient time. These wall paintings are historical and belong to the 2 nd century CE. Moreover, our embroidery work, sculptures and carvings support this idea about its existernce. In ancient India, these pankhas were used in temples to fan deities, so people held high regard for these fAnswer:
Question 9.
Read the lines given below and answer the questions that follow. [Analysis]
Over time, pankhas became significant cultural goods distributed through trade route. They were considered exotic and stylish.
(i) Why did people consider pankhas a fashionable and strange item during the period?
(ii) What benefit did pankhas get after becoming a cultural item?
Answer:
(i) In this period, perhaps everybody liked to have or use pankhas. This is the reason why one could find them on the trade routes in the country.
(ii) People also had chances to witness the pankhas produced in the other countries. As the traders visiting the country belonged to the other countries, the pankhas made in their own country might have some differences.
Question 10.
Infer that in modern times, the pankhas have become traditional items. [Inference]
Answer:
In our time, the concept of pankhas has undergone a sea change. Its use is restricted to decorative purposes or you can keep them as traditional items. The applique hand fan of Rajasthan is an antique fan that is made of the pieces of fabric in various shapes and pattern, sewn onto another cloth with beautiful ornamental needle wok.
Question 11.
Why do you think the Gujarati women have to work effortlessly to produce embroidered hand pankhas/ fans? [Evaluation]
Answer:
The hand fans of Gujarat are known elegant design and patterns, embellished with mirror work. The Gujarati home-based women work tirelessly to do traditional mirror work and cross-stitch in different shapes and sizes on them. As they are hard working and this craft or embroidery work requires lots of efforts, they have to work hard to produce such kind of fashionable fAnswer:
Question 12.
What is Tal Patar Pankha? How do the people of Bengal treat this pankha? [Analysis]
Answer:
Tal Patar Pankha is the popular fan of Bengal. It is made up of beautiful milky-white spongy center of the sola. The people of Bengal give high value to this fan. As these pankhas are easy to carry, people often keep them as assets of possession in their household.
Winds of Change Class 9 Long Question Answer
Question 1.
The changes that came over the craft of pankhamaking in modern times have altered the concept of traditional pankhas. Analyse the statement with example.
Answer:
The traditional pankhas were simple. They were produced using local materials, and the craftmanship was also simple. Now they have been used for decorative purposes, and are considered as the traditional items only. Their structure reflects the cultural core of the region that crafts create. For example, the applique hand fan of Rajasthan is an antique pankha that is made up of fabric in different shapes and patterns, sewn onto another cloth. This fans shows an excellent use of ornamental needlework.
Moreover, the zardozi hand fan of Rajasthan differs in its use of glittering ornate and encrusted gold threadwork. These pankhas are made by engraving brass and have a long handle. The painted hand fan or pankhas featuring images, is usually offered to gods. Materials depending on geographies, cultures and traditional rituals are overtaken by designs and patterns for decoration.
Question 2.
According to the writer, giving value to the culture, stories and artistry involved in the craftmanship of pankha-making will help preserve the essence of this handicraft. Analyse this statement with examples.
Answer:
The cultures, stories and artistry have deep connection with ancient pankhas. We should appreciate their values to preserve the essence of this craft. It will help the contemporary pankha makers or artisans to show their craft and maintain its popularity. Moreover, it will provide them with a commercial platform so that they can create a sustainable livelihood for their survival.
Initiatives like pankha-making workshops should be organized within and outside the country. These handicraft exhibitions will help spread awareness about the beauty and value of this Indian craft involved in pankha-making all over the world.
Question 3.
How did the tradition and culture of pankha-making craft influence the tribal people in the country? [Interpretation]
Answer:
The pankha-making tradition and culture also influenced the tribal people of the country. They willingly adopted this handicraft and produced their own versions of hand-held fAnswer: With the help of bamboo sticks and grass, they embedded materials like bamboo and grass as well as metals into their pankha. They also used cane and palm leaves along with silk and brass in their fAnswer: They were very careful about any objects having religious importance. Their use of geometrical shapes and colour combination helped them produce multiple beautifully designed pankhas. Thus, the tribal people have also contributed to the rich tradition of pankha culture in the contury.
Question 4.
In your opinion, what steps would you like to advice to strengthen the tradition of pankha-making culture in the country? [Extrapolation]
Answer:
In our age, countless persons are involved in the craft of pankha-making in the country. With the change of time and advent of technology, now the time come to apply latest knowledge in the production of pankhas. They should be given proper training about the application of technology and the value and awareness of this craft should be spread at the local and national levels. Sometimes, Pankha Workshops may be organized to encourage the young artisans and provide them a platform to express their art. This will open some new sources of livelihood for the young artisans of the country.
Truly said that art never dies. There is no such thing like old art or new art. Provided we develop interest in them, and spread awareness about this craft.
Winds of Change Extract Based Questions and Answers
Read the extracts given below and answer the questions that follow:
1. Over time, pankhas became significant cultural goods distributed through trade routes. They were considered exotic and stylish. Although there was substantial commonality in their use across India, different villages and towns developed their own varieties of traditional pankhas. Each place developed pankhas with distinct materials or a variety of intricate designs, that set them apart from one another. Bamboo, cane, palm leaf, silk, brass, leather, and silver pankhas, with decorative beads and stones were used depending on geographies, cultures, and traditional rituals. (Pages 70 & 71)
(i) Choose the option that indicates a wider use of pankhas during the period.
(a) presence of pankhas on trade routes
(b) every region developed its own style of pankhas
(c) similarity in the style and material
(d) all of the above
Answer:
(d) all of the above
(ii) Why did a distinct style come over in the making of pankhas in the period?
Answer:
Over the time, pankhas became linked to our culture. Materials found in the specific regions began to be used in the making of pankhas. So each region developed its own style of making pankhas.
(iii) Complete the following statement.
In spite of commonality in the use of materials for making pankhas, they were known for their style and _______ .
Answer:
decoration
(iv) Infer the impact of geographies on the making of pankhas.
Answer:
The use of materials extensively impacted the making of pankhas. While making pankhas, people often used decorative beads and stones that can’t be found in all regions. They can be found in the hills only.
(v) State whether the following statement is true or false.
The traditional pankhas have a wider use in the royal courts only.
Answer:
False
2. In modern times, the use of pankhas has been restricted to decorative purposes, and they have become traditional craft items in India. The structure of each fan reflects the cultural core of the region that crafts it. For instance, the applique hand fan of Rajasthan is an antique pankha made of pieces of fabric in different shapes and patterns sewn onto another cloth with the use of ornamental needlework. Furthermore, the zardozi hand fan of Rajasthan differs in its use of glittering ornate and encrusted gold threadwork. (Page 71)
(i) Complete the statement with an appropriate reason.
The writer refers to the use of pankhas as restrictive to decorative purpose because …
Answer:
People are more used to fan themselves with pankhas.
(ii) Select a line from the extract that shows how traditional craft plays a dominant role in the production of pankhas in modern times.
Answer:
The applique hand fan of Rajasthan is an antique pankha made of pieces of fabric in different shapes and patterns sewn onto another cloth with the use of ornamental needlework.
(iii) State whether the following sentence is true or false.
The traditional fans have undergone no basic changes in the structure and design.
Answer:
True
(iv) What can you infer from the phrase, ‘the use of ornamental needlework’ in the context of the extract?
Answer:
The phrase details that even in the regions, while making pankhas the craftsman shows their art of making designs and patterns with fine needlework.
(v) Choose the option that indicates one of the features of the zardozi hand fan.
(a) use of local materials
(b) beautiful designs and patterns
(c) covered with gold threadwork
(d) limited use of ornaments
Answer:
(c) covered with gold threadwork
3. Gujarat is the centre for bead craft in India and these dainty pahkhas are commonly used as wall decorations. Kutch is recognised for its hand-stitched leather hand fans decorated with thread and wool at its seams. Gujarat’s industrious home-based women workers have worked tirelessly in the handicraft pankha-making to produce embroidered hand fans with traditional mirror work and cross-stitch embroidery in different shapes and sizes. (Pages 71 & 72)
(i) Choose the option that indicates the feature of a dainty fan of Gujarat.
(a) decorations
(b) abundant use of wool and silks
(c) excellent needlework
(d) result of hard work
Answer:
(a) decorations
(ii) Infer one positive impact of home-based women of Gujarat in making pankhas.
Answer:
These women are hardworking. They work from home in the handicraft of pankha-making, and produce embroidered hand fans.
(iii) Complete the statement with an appropriate reason.
The industry of Gujarat’s women is demonstrated in the pankhas because …
Answer:
these pankhas witness a good blend of modernity and tradition.
(iv) Why is Kutch typically mentioned in the extract?
Answer:
Kutch is known for its hand-stitched leather hand fans, decorated with thread and wool at its seams.
(v) How does cross-stitch embroidery help pankhas?
Answer:
Cross-stitched embroidery helps in fixing various shapes and sizes of objects on pankhas. They make pankhas decorated and attract the people.
4. One of the first steps to preserve the essence of the craft is by celebrating pankhas, and appreciating the culture, stories and artistry that this handicraft invokes. This allows contemporary pankha makers to demonstrate their craft and regain its popularity. It also helps provide them with a commercial platform to create a sustainable livelihood. Initiatives such as pankha-making workshops, both within and outside the handicraft exhibitions help spread awareness about the beauty and importance of this craft in India’s culture. (Page 73)
(i) Choose the option that indicates the gist of the above extract.
(a) Spread of pankhas
(b) Patronage to pankhas
(c) Ways of promotion of pankhas
(d) Traditional pankhas
Answer:
(c) Ways of promotion of pankhas
(ii) What are the ways advised by the writer to maintain the core value of pankhas?
Answer:
In the writer’s opinion, everybody should praise the culture, stories and artistry of pankhas that are related to the art of making pankhas. This will help the pankha makers demonstrate their art and in maintaining its traditional value.
(iii) Complete the statement with an appropriate reason.
The regular exhibition of Pankhas will be quite beneficial for the artisans involved in the trade of pahkhamaking because…
Answer:
it will help create a sustainable source of livelihood for them.
(iv) What do you infer when the writer says that pankha-making workshops should be organised within and outside the country?
Answer:
The writer means such workshops will help pankhas made in the country spread our traditional culture and craft involved in its production within and outside the country.
(v) Select a line from the extract that supports the writer’s opinion about the need of preserving the essence of craft involved in pankha-making.
Answer:
The writer declares that ‘… celebrating pankhas, and appreciating the culture, stories and artistry that this handicraft invokes’.
5. Evidence of the existence and use of pankhi in India can be found in Buddhist wall paintings at Ajanta. These wall paintings date back to the 2 nd century CE. Other representations of the punkha can be found in embroidery work, sculptures and carvings. In ancient times, pankhas were used in temples to fan deities. They were also unsed in royal courts to fan kings. Pankhas varied in size from a tiny two inch one to large ones requiring a person’s full arm strength to move them. (Page 70)
(i) Choose the option that describes the word ‘pankhi’.
(a) a huge plumed fan
(b) a small fan decorated with feather of birds
(c) a moving fan
(d) a popular fan used in ancient India
Answer:
(b) a small fan decorated with feather of birds
(ii) How does the Buddhist texts support the popularity of pankha in ancient India?
Answer:
Buddhist wall paintings at Ajanta have given space to pankhas in ancient India. These wall paintings go back to the 2nd century CE.
(iii) Complete the following statement.
About the size of the pankhas, the makers always put emphasis on the power of a person’s arm because…
Answer:
it would help in light moving of its handle.
(iv) Infer the pankha having great religious significance.
Answer:
Pankhas were frequently used in ancient India. They were also used in temples. People used them to fan their deities.
(v) Select which one of the two statements is the correct assertion for the given reason.
Reason: There is no contradiction on the existence and use of pankhas in ancient India.
(a) Buddhist texts are the reliable sources as they openly support the wide use of pankhas in ancient India.
(b) The various sizes of pankhas and their uses demonstrates their popularity in ancient India.
Answer:
(a) Buddhist texts are the reliable sources as they openly support the wide use of pankhas in ancient India.
6. Gujarat is the centre for bead craft in India and these dainty pahkhas are commonly used as wall decorations. Kutch is recognised for its hand-stitched leather hand fans decorated with thread and wool at its seams. Gujarat’s industrious home-based women workers have worked tirelessly in the handicraft of pankha-making to produce embroidered hand fans with traditional mirror work and cross-stitch embroidery in different shapes and sizes. (Pages 71 & 72)
(i) Choose the option that indicates the appropriate feature of Gujarati pankhas.
(a) simple pankhas
(b) hand-made pankhas
(c) embroidered and fashionable pankhas
(d) feathered pankhas
Answer:
(c) embroidered and fashionable pankhas
(ii) Why are Gujarati women addressed as hard working women?
Answer:
They work hard to create beautiful designs on hand-made pankhas, they even use mirrors and wool in the making of these pankhas. Moreoever, they work from home and can give ample time to their craftmanship.
(iii) Complete the following statement.
The bead craft demonstrated in the fashionable pankhas of Gujarat consists of …
Answer:
excellent work of traditional bead craft and mirror works.
(iv) List one unique feature of the embroidered hand fans of Gujarat.
Answer:
These fans show the beautiful handicraft of fan-making using traditional mirror work and cross-stitch embroidery.
(v) Select which one of the two statements is the correct assertion for the given reason.
Reason: The use of thread wool at the seam of hand-stitched leather fans for decoration has made Kutch a center of decorated fAnswer:
(a) The women of this district work hard to produce the dainty pankhas.
(b) In Gujarat, Kutch is famous for bead works, and embroidery work performed on the pankhas produced here stands for a wellcombination of traditional mirror work and cross-stitch in various shapes and sizes.
Answer:
(b) In Gujarat, Kutch is famous for bead works, and embroidery work performed on the pankhas produced here stands for a wellcombination of traditional mirror work and cross-stitch in various shapes and sizes.
Extra Questions of Winds of Change for Practice
I. Reference to Context
Read the given extract and answer the questions that follow:
Once made for personal use, over time this handicraft has transformed into a commercial business and now provides some form of livelihood to India’s artisAnswer: The slight increase in popularity and demand is significantly factored by the different versions of the pankha being crafted. (Pages 72 & 73)
(i) Choose the option that reflects on the mood of the writer in the extract.
(a) confusion
(b) encouragement
(c) authority
(d) hopefulness
(ii) What does the writer intend to say by the phrase, ‘a commercial business’?
(iii) Complete the following statement.
Transformation in the craft of pankha-making culture is projected to bring some….
(iv) According to the writer, what is the greatest factor on which popularity of pankhas in our times will depend?
(v) Select which one of the two statements is the correct assertion for the given reason.
Reason: The writer is hopeful that even a little increase in popularity and demand of pankhas will have some positive impact on the artisAnswer:
(a) Now, the artisans have opportunity to apply latest technology in the production of pankhas.
(b) Regular pankha workshops and interaction with other persons involve in this craft will encourage the young artisAnswer:
II. Short Answer Type Questions
Question 1.
What is the core concept of pankhi ?
Question 2.
Name the various types of pankhas you read in the text.
Question 3.
Why did distinct design and style of pankhas developed over the time period?
Question 4.
Do you think people are losing interest in the pankha-making craft? If yes, why? If no, how?
Question 5.
The text mentions the state of Gujarat in terms of bead craft. What speciality did you find this craftmanship?
Question 6.
What do you think about impact of the advent of technology on pankha-making culture?
III. Long Answer Type Questions
Question 1.
Why is it said that the use of pankhas is restricted to decorations only? Write your answer with reference to the text.
Question 2.
Analyze the contribution of the Gujarati women in developing an effective pankha culture in the country.
Question 3.
Do you think the Gujarati home-based women also need encouragement to spread their handicraft by conducting local pankha workshops? How do they prove themselves that they are self-reliant? Evaluate.