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Patol Babu, Film Star Extra Questions and Answers Class 10 English Literature
Patol Babu, Film StarExtra Questions and Answers Short Answer Type
How does Patol Babu reconcile to the dialogue given to him?
Patol Babu reported for the shooting with a lot of anticipation. However he was shattered with the insignificance of the role and the monologue that was offered to him. Better sense prevailed and he puts aside his initial response to quit, as he is guided by an inner voice, the words of his mentor, which directed him to focus on the quality of performance rather that the quantity to be performed.
What was the advice of Patol Babu’s mentor and guru Pakrashi?
The priceless advice of Gogon Pakrashi was— “ remember one thing Patol, however small a part you’re offered, never consider it beneath your dignity to accept it. As an artist your aim should be to make the most of your opportunity and squeeze the last drop of meaning out of your lines. A play involves the work of many and it is the combined effort of many that makes a success of the play”.He also says that, “each word spoken in a play is like a fruit in a tree. Not every one in the audience has access to it. But you the actor must know how to pluck it, get its essence and serve it to the audience for their edification”.
What job did Patol Babu have in Calcutta and why did he leave it?
Patol Babu started working with Hudson and Kimberly from the year 1934 in the position of a clerk, tlowever, the war led to the deterioration and the destabilization of the economy. Retrenchment of workers was the logical solution to handle the crisis. Therefore, after a nine year stint, Patol lost his job.
What idea did Patol Babu have while rehearsing? Did the director approve of the idea?
Patol Babu began practising his little role. While doing so it occurred to him that the act would look more authentic if he were to be reading a newspaper in the scene. The director was not apposed to the idea.
What were Patol Babu’s dialogues and what was his reaction on seeing it?
Patol Babu enquired about the dialogue that he had to deliver. After a considerable wait, a paper was handed over to him, on which just one word ‘Oh!’ was written. He was disappointed, felt cheated and humiliated.
Why did Patol Babu leave without taking money?
After the shot was over, Patol Babu heaved a sigh of relief, a deep sense of satisfaction swept over him. He had done his job really well, and the director approved his scene after the very first take. Patol Babu was very satisfied for having executed his role with perfection. He did not linger around the set after the scene, nor did he collect the remuneration that was due to him. The actor in him, did not allow him to barter mental satisfaction with currency, for he felt it could not be balanced fairly.
How did Patol Babu react to the offer of a role in a film?
Patol Babu was very apprehensive initially, when his neighbour put forward the proposal of a prospective role in a film. He was definitely happy that he received such an offer at his age. Eventually, as the idea started seeping into his mind and soul, he began building castles in the air.
What message is the author trying to convey through the lesson “Patol Babu”?
The message conveyed by the story ‘Patol Babu’ is to do one’s job with perfection, no matter how big or small it is. In the plan of action everyone is assigned a role, which must be performed to the best of one’s ability. This is the only source of satisfaction.
How did Patol Babu manage to make his role special? What special touches did he give to the role?
Patol Babu convinced himself that even “Oh!”, can be said in different ways to suit the requirement of the situation it has to be uttered in. He went to a quiet corner, and began rehearsing in front of a huge glass window. He worked extensively to bring about modulations in his voice, variety in his facial expressions, and on the appropriate body reactions as a result of the bump. He measured the distance he had to walk to make the timing and impact of the collision perfect. To make the scene look more authentic he suggested, holding a newspaper in his hand, which was accepted by the director.
What comprised the 100% of Patol Babu’s performance?
Patol Babu experienced excruciating pain as a result of the collision. But not letting it affect his performance, he pulled himself together, and mixing 50 parts of anguish, 25 parts of surprise, and 25 parts of irritation he delivered his dialogue, “Oh”! with the necessary facial and body actions to perfection. His 100 % performance was approved at the very first take.
Who was Nishikanto Ghosh? What was the offer he made to Patol Babu?
Nishikanto Ghosh was Patol Babu’s neighbour. The offer that he had made to Patol Babu, was of a role in a film. The age and physique of Patol Babu fitted the requirement perfectly. Besides, Njishikanto was aware of Patol Babu’s penchant for acting, and moreover, the request was made by his brother-in-law, who was a part of the film’s production team.
Why did Mullick turn down Patol Babu’s request for a rehearsal?
Mullick turned down Patol Babu’s request for a rehearsal as he wanted to complete the shoot before the patch of cloud that was appearing in the sky takes away with it the bright daylight. Besides, he did not feel that the role required any preparation as it was fairly small and insignificant.
How do we know that Patol was a meticulous man?
Patol Babu was guided by his Mentor Gogan Pakrashi’s wisdom. He was shattered when he was informed about his role and dialogue. But his inner voice, that reflected his mentor’s advice, told him that it was not the quantity but the quality of work that mattered. Patol Babu, therefore, decided to prepare meticulously, to execute the task at hand with perfection.
He moved away to a quiet place, and looking at his reflection on a huge glass window, practised with commitment, to arrive at the best combination of mind, body and soul, to potray his character. He tried out various facial expressions, voice modulations and the appropriate body movements to strike the right style. He also suggested some improvisations to make the scene authentic, which was readily accepted by the director. Patol Babu, eventually, “squeezed the last drop of meaning from his monologue, Oh!” and put in a magnificent performance.
What was Gogon Pakrashi’s advice to Patol Babu on how to become a successful actor?
Gogon Pakrashi, Pato Babu’s mentor had told him, not to consider it undignified to accept any role given to him, whether big or small. The aim of an artist should be to make the most of an opportunity and squeeze the last drop of meaning out of the lines. He also compares the words in a play to fruits that are accessible only to man actor. He should pluck them and serve the essence for the audience to cherish.
How did Patol Babu initially react to the role allotted to him?
After hearing the offer made by Nishikanta Ghosh, Patol Babu was very excited. He had never expected to get an opportunity to act in a film. It was beyond his wildest imaginations. He felt very important and started building castles in the air.
What changed Patol Babu’s mind about the small role allotted to him?
Patol Babu was selected to do a role in a film. Sadly, his dialogue in the scene was nothing but, to exclaim, “Oh!” When he was told of this, a disheartened Patol, felt belittled and thought that he was being teased. But later, remembering the words of his guru Gogon Pakrashi who advised him to accept any small role, however, insignificant it may be, Patol accepted the role and got ready to do his role with great precision and accuracy.
Why didn’t Patol Babu wait to collect his payment?
Patol Babu was given a small role in a film by Naresh Dutt a filmmaker. It was an insignificant role, which he executes with excellence. He left without accepting his remuneration because he believed that no payment can equate a job done well with the dedication it deserves.
What was the news that Nishikanto Ghosh gave Patol Babu?
When Nishikanto Ghosh came to Patol Babu’s house, he wanted to tell him some exciting news. He had met his youngest brother-in-law, Naresh Dutt, who was in the film production business and had talked about a role in a movie. For which a fiftyish, short, bald headed man in his fifties was required. He also knew about Patol Babu’s interest in acting and he had asked Naresh Dutt to consider Patol Babu for the role.
How did Patol Babu react? Why?
At first, he could not believe that a man, who was fifty-two years old and a non-entity like him could get such an offer to act in a movie. Moreover, there was no reason for him to refuse the offer.
Why had Patol Babu lost his first job in Calcutta?
He held a good clerical post with Hudson and Kimberley in Calcutta. Due to the war, as cost-cutting measures he lost his job.
How does Patol Babu reconcile to the dialogue given to him?
When Patol Babu saw the paper on which just one word ‘Oh’ was written, he was terribly disappointed. But then he was reminded of the advice given to him by his mentor, Gogon Pakrashi, that the role was not big or small, it was the manner in which one performed it and made it as effective as possible that was important. At this, he decided to give all that he could to the role and performed it most superbly.
Who was Mr. Pakrashi? How do his words help Patol Babu in enacting his role?
Mr. Pakrashi was Patol Babu’s mentor, a wonderful actor himself, without a trace of vanity in him. His words of advice had been, “No role was big and small, it was the way you performed it that matters.” So, Patol Babu, gave all of himself to the role of a pedestrian and left his mark by performing it flawlessly in the first attempt.
How do we know that Patol Babu was a meticulous man?
He ignored the fact that the dialogue was just a monosyllable. He started thinking of ways to utter it in the most effective manner. He even went quietly to a side street to practise his role, and in front of a large glass window he rehearsed how to emote pain and surprise in the right proportion. Finally, he portrayed that insignificant role in the most significant manner.
Why did Mr. Mullick turn down Patol Babu’s request for a rehearsal?
Mr. Mullick turned down Patol Babu’s request for a rehearsal as he wanted to shoot the scene in daylight which was fast fading and there was a patch of cloud approaching the sun. He also thought the scene was too insignificant for a rehearsal.
What were the special touches that Patol Babu gave to his role to make it more authentic?
Patol Babu gave numerous special touches to his role to make it more authentic. He asked for a newspaper to read while walking, so that he would appear as an absentminded stranger. He measured out the ratio of emotions that he had to express in his line to make it sound more effective. He also calculated the steps it would take to collide with the actor, so that the shot would be perfect.
Patol Babu, Film StarExtra Questions and Answers Long Answer Type
Patol Babu’s wife decides to write a letter to her friend giving vent to her feelings about the performance of her husband and what she feels about it. Imagine yourself as the wife and write the letter.
Park Street Calcutta May 22,
19XX Dear Madhabi
How are you? Hope you, your family and parents are in good health. It has been quite a while since we have communicated with each other. I was missing your company a lot. My condition seems to be going from bad to worse. Life is getting very difficult because Patol has not been able to secure a stable job. The war has been very tough on us. He tried his hand at various jobs but to no avail.
All of a sudden, yesterday, our neighbour had come over to offer Patol a role in a film. You know his passion for acting. He was very excited, and as is his nature, began building castles in the air, despite my cautioning him against doing so. He seemed hopeful of seeing the end of our troubles.
In the evening, he came back with a very different perspective of life. He narrated to me the details of the numerous emotions he experienced before and after he was acquainted with his role. It was a very insignificant role, he said, which he executed with perfection, after meticulous preparation. The best part of the whole incident was that Patol left the set without accepting the remuneration due to him. He said the satisfaction he experienced could not be appropriated with any currency. I was really proud to be the wife of a man with such high ideals. I had to share this with you because you have always told me that Patol is a man of very high principles. I am convinced now. I always misunderstood his ways because of the lack of financial security. No longer !
Waiting to hear from you,
That night, after the incident, when Patol Babu is about to retire for his sleep, he decides to make a diary entry. Write it.
May 20, 20XX,
Thursday 9.00 p.m.
It was a very depressing day. But I did not succumb to my lesser emotions.
I had gone to Faraday house, with a lot of anticipation to take up the film assignment, offered to me by Nishikanto. I was overwhelmed to receive a role in a film at my age. Though Tapeshwari dissuaded me, I began fantasising about the rosy future, that would naturally follow a filmstar.
I reached the set much ahead of the scheduled time and waited in earnest for information about my role and dialogue. It was not forthcoming for a long time. Eventually I received and introduced to my character which destroyed my hopes and aspirations. I was assigned the role of a pedestrian, and my dialogue was restricted to an exclamation. I was dejected, and wanted to quit. But surprisingly the words of my revered mentor Gogonji, awakened my senses and told me not to let quantity affect quality and to respect every task that comes our way. I was determined to do my best. I rehearsed, suggested improvisations, and performed to the best of my abilities. My act was approved with the very first shot. A warm feeling of satisfaction of a job well done, enveloped my entire being. I left happily, thanking my mentor, for his wisdom had made me a better human being. I refused to barter my art and satisfaction for money. As I pen this down, I am a contented man!
Dedication and hard work are essential for success. Explain how these qualities enable Patol Babu to perform his small role to perfection.
Patol Babu, was an unassuming, humble, and modest 52-year-old, man who gets an offer to play a role in a film. However, he was assigned the role of a pedestrian who was to bump into the hero and just exclaim the word ‘Oh!’ Disappointed, he does not want to play such a small role. But he remembers his mentor, Guru, Gogon Pakrashi’s words, ’’never refuse any role, however small it might be. An artist’s aim should always be to make the most of the opportunity, and squeeze the last drop of meaning out of his lines”, and resolves to give his best to the small role offered to him. He rehearses it many times, infusing different shades of emotions into the word ‘oh’. Patol Babu also makes suggestions for improving the shot, like holding a newspaper at the time of the collision and being precise about the number of steps that ought to be taken during the shot. He gives a perfect shot and makes the director very happy with his performance. However, he leaves the shooting scene modestly, without receiving his remuneration as job satisfaction was more important for him.
“Work is worship.” Discuss.
No work is big or small, it is the manner in which it is executed that makes it big or small.
This is an old proverb that has been passed down from generations. What does this mean? Well it certainly does not tell you to look at your work with folded hands and chant prayers.
You need to worship, and dedicate your whole being toward the task on hand to experience pleasure and contentment. It also teaches us the dignity of labour. No work is big or small. Work is work, and it has to be done with passion and love. Half-hearted, non-committal performances leads to incompleteness and unhappiness. The joy and satisfaction is derived only when you are devoted to what you are doing. What will be the plight of a patient whose doctor wanted to be an architect, and has little or no passion towards his profession? Chaos! But one must also remember that what we desire, might not always be. Therefore making the best of what comes our way is what a sensible person should do. As man proposes to do something, but the will of God might not be there, as He has other plans for you. The motto of every one should be to put in one’s best, hoping for the best to come back to you.
This fact has been very explicitly portrayed by the Protagonist of the story, “Patol Babu, a film star”. His devotion gives him a satisfaction that could not be weighed against money.
‘I hope the part calls for some dialogue?’ Who says this? Why?
These words were spoken by Patol Babu. He expresses his hope to Mr. Naresh Dutt, Nishikanto’s youngest brother in law who was part of the production team. Naresh had gone over to Patol Babu’s house to make an appraisal of the man. It was during the course of this interaction that Patol Babu is informed that he was required to play the role of an absent minded pedestrian in the film. After briefing him about the role and the attire he was to be in, Naresh Dutt tells him to report at Faraday House the following morning. The crucial question whether the character was required to make a dialogue was asked by Patol Babu, just as Naresh Dutt was getting ready to leave. He was very happy when Naresh Dutt assures him that it was to be a speaking part.
“Were these people pulling his legs? was the whole thing a gigantic hoax? A meek, harmless like him, and they had to drag him into the middle of the city to make a laughing stock out of him. How could anyone be so cruel? Why does Patol Babu have such thoughts?
Patol Babu was informed that the part he was given in the movie was a speaking part. He had been enquiring with them makers of the film to give him his dialogue to enable him prepare for the shot. After a long wait, Naresh wrote down the dialogue on a piece of paper and handed it over to Patol Babu. The exclamation, “Oh!” written on the paper, his dialogue, made him extremely dejected. It was because of the humiliation he experienced, that Patol Babu raised the questions mentioned above. He was perhaps trying to find an explanation to the anxieties that were gnawing at his self respect and identity. He wondered whether it was an attempt made by the filmakers to belittle a simpleton like him, and derive pleasure by making a fool out of him. He was upset with the cruel treatment he was being subjected to.
“Patol Babu is an amateur actor for whom walk-on part in a movie turns into an ultimate challenge.” Discuss.
Patol Babu is an amateur actor. The walk-on part in a movie turns into an ultimate challenge, which he accepts and turns the tide in his favour by giving an excellent performance. Acting on stage had been a passion; he used to take active part in Jatras, theatricals and plays staged by the local club. But acting in a movie was different. His role was small, that of a pedestrian, who had to make a monosyllabic exclamation. Initially, Patol Babu experienced a lot of negative emotions.
Wallowing in self-pity, he felt cheated, humiliated, and dejected. However, the wisdom of his mentor Gogon Pakrashi awakened his weakened senses at the appropriate moment. His mentor’s valuable advice awakened his inner sense and reminded him that it was the quality of the act that was more important than the length of the role. He convinced himself that ‘Oh’, can be said in different ways, depending upon the situation.
Therefore, he rehearsed the exclamation, ‘Oh’ in so many different ways. Using his own imagination and understanding, he blends the right amount of irritation, pain and surprise to exclaim, and puts up a wonderful performance. The amateur actor Patol Babu went home satisfied. Time had not diminished his talent. He succeeded in converting an insignificant role into a challenging one and performed it to perfection.
Do you agree with the statement that Patol Babu is a practical man who comes to terms with whatever life has to offer? Give reasons for your answer.
Yes, Patol Babu is really a practical man who comes to terms with whatever life has to offer. He has taken the ups and downs of his life in his stride. In his heydays he used to be a theatre artist. He was a popular actor and was in great demand. In fact he would appear in advertising handbills of theatre clubs and people would buy tickets just to see him perform. He enjoyed so much popularity and fan following, yet he did not go overboard. He continued to be the man he was – simple, humble and respectable.
Then the demands of life took him away from theatre and he got busy with his job in the railway factory. He switched his job for higher salary. He joined Hudson and Kimberley where he had worked for nine years. But then the World War II broke out and he lost his job due to retrenchment. The long struggle for survival began. He tried everything he could, opened up a variety store, did odd jobs in companies, sold insurance policies, but success eluded him everywhere. He kept trying like every practical man would do.
When the film role was offered to him, he was trying to take up a job with scrap iron dealer. In performing the film role too, though there was an initial emotional glitch, he motivates himself to view things in a practical manner. He puts in immense efforts to perform well. Pefhaps it would not be wrong in saying that he displayed a trace of impracticality only on one occasion, when his emotions did not let him accept a remuneration for his role. On the whole, Patol Babu was a practical man who comes to terms with whatever life has to offer.
Why does Patol Babu walk away before he can be paid for his role? What does this reveal about his character?
Patol Babu walks away before he could be paid. This role was a small, but he put all his imagination, his heart and soul into it and gave a wonderful shot. A very good performance by a great actor. However, he refrains from collecting his remuneration.
It was probably the idealist in him that was responsible for this gesture. He was so disappointed with the happenings of the day, and regretted the callousness of the film crew. He felt saddened that the efforts he had put in was not appreciated by anyone. He therefore feels that the money that he would get was nothing as compared to the satisfaction he experienced after doing his work so well, abiding by his mentor’s principles. The author reveals that Patol Babu was a man of great principles, who was not afraid of taking up challenges, and one who believed in the adage, “Work is worship”, Money is transient in nature where as principles possess the rare quality of permanence.
Do you think making a movie is an easy job? Discuss with reference to the story.
Making a movie is not at all an easy job. Film making is a very long, tedious and tiring job. For making a film different units are required such as makeup men, camera men, light men. Much talent and hard work is required into the production. A film producer creates the conditions for film-making. The producer is involved throughout all phases of film making process from development to completion of a project. There are number of areas on which a film maker has to work such as development, financing on production.
In the story Naresh Dutt goes to Patol Babu’s house for a small role. He found Patol Babu for the role. Patol Babu had to wear a jacket in the sharp sunshine because it was the demand of the role. The director Baren Mullick had to surprise everything, every being and every activity. He had to shoot at proper time and place. One has to be very careful and focussed in this field.
Patol Babu, Film StarExtra Questions and Answers Reference-to-Context
Read the extracts and answer the questions that follow.
Naresh Dutt cast an appraising look at Patol Babu and gave a nod. ‘Oh yes’, he said. There is no doubt about that. By the way, the shooting takes place tomorrow morning.
(i) Who is Naresh Babu?
(ii) For what did he give a nod? What do you mean by appraising look?
(iii) Where did the shooting take place?
(iv) Who says he does not have a doubt? Why did he say so?
(i) Naresh Babu is the brother-in-law of Nishikant Ghosh, the neighbour of Patol Babu. He is a member of a film production team.
(ii) He gave a nod of approval for casting Patol babu for the said role. “Appraising look” means to take a close look, scrutinise or assess carefully for gauging somebody or something.
(iii) The shooting took place near Faraday House.
(iv) Naresh Dutt says he does not have any doubt about casting Patol babu. He says this in response to the question made by Patol with regard to him being right for the role.
Counting your chickens again before they’re hatched, are you! No wonder you could never make a go of it.
(i) Who is the speaker?
(ii) Why does she make this remark?
(iii) Explain ‘Counting your chickens again before they are hatched?’
(iv) Who was counting the chickens before they are hatched?
(i) These words are being spoken by Patol Babu’s wife.
(ii) She makes the remark to caution him, as he was confident that this opportunity was going to be the first step towards his acquiring fame and fortune.
(iii) It means making plans or getting one’s hopes up based on assumptions.
(iv) Patol Babu was counting the chickens before they are hatched.
‘Jolly good! Why, you are quite an actor. Sosanko, just take a look at the sky through the dark glass, will you’.
(i) Who is the speaker?
(ii) What do you mean by ‘Jolly good’?
(iii) Who is being praised here?
(iv) What has he done for which he is being praised?
(i) Baren Mullick, the director of the film is the speaker.
(ii) In this context, “jolly good” implies the approval of Patol Babu’s performance.
(iii) Patol Babu is being praised by the director for his excellent performance.
(iv) Though a small role, Patol Babu had made several
‘That’s odd — the man hadn’t been paid yet. What a strange fellow!’
(i) Who is the speaker of these words?
(ii) Who is the man he is talking about?
(iii) Why does he call him ‘a strange fellow’?
(iv) Why did Patol Babu leave before he was paid?
(i) Naresh Dutt is the speaker of these words.
(ii) He is talking about Patol Babu.
(iii) He is calling Patol Babu a strange fellow because he had left the location without collecting his remuneration.
(iv) Patol Babu was content with the mental satisfaction he experienced after doing a job well, and chose not to exchange this mental gratification for cheap monetary benefits.
“In 1943, when he was just toying with the idea of starting a club in his neighbourhood, sudden retrenchment in his office due to the war cost him his nine-year-old job”.
(i) Who is ‘he’?
(ii) What happened to his job?
(iii) What is the meaning of “retrenchment”?
(iv) What idea was Patol Babu toying with?
(i) “He” refers to Patol Babu.
(ii) In 1943 he lost his job as a result of retrenchment due to war.
(iii) Retrenchment means the action of an employee being termed “not Required”, or ‘redundant’ to reduce costs following an economic crisis, and removing him from his/her job.
(iv) Patol Babu was toying with the idea of starting a club in his neighbourhood.
“That has become a thing of the remote past; something which he recalls at times with a sigh”.
(i) Who is‘he’?
(ii) What is a thing of remote past?
(iii) What does he recall at times with a sign?
(iv) What made him recall his past?
(i) ‘He’ refers to Patol Babu.
(ii) He is referring to acting which he used to do long long ago, in the remote past.
(iii) Patol recalls the past events and experiences of acting and feels nostalgic about it.
(iv) Patol Babu was offered a role in a film which makes him recall his past.
“This is only the first step on the ladder, my dear better half. Yes-the first step that would- God willing-mark the rise to fame and fortune of your beloved husband”.
(i) Who is the speaker?
(ii) Whom is he speaking to?
(iii) What is referred as first step on the ladder?
(iv) What does Patol Babu pray for?
(i) Patol Babu is the speaker.
(ii) He is speaking to his wife.
(iii) The role in a film that has been offered to him is what Patol Babu considers to be the first step on the ladder.
(iv) He prays to climb up the ladder of fame and fortune.
“All he felt now was a keen anticipation and suppressed excitement. It was the feeling he used to feel twenty years ago just before he stopped on to the stage.”
(i) Who is ‘he’?
(ii) What did he do twenty years ago?
(iii) What was he excited about?
(iv) Name the chapter from which these lines are taken.
(i) He refers to Patol Babu.
(ii) He was a stage and theatre artist twenty years ago.
(iii) He was excited about the offer he had received to act in a film.
(iv) These lines are taken from ‘Patol Babu, Film Star’.
“The hero’s head had banged against his forehead, and an excruciating pain had robbed him of his senses for a few seconds”.
(i) What is being referred to in the lines above?
(ii) What did the scene require of the two characters?
(iii) Who is the hero of the film?
(iv) What role did Patol Babu have to play?
(i) The lines above is revealing the scene that was enacted by Patol Babu, and the severe pain he stiffered as a result of his act.
(ii) The scene required the two characters, Patol Babu and the hero, to bang into each other while walking along the pavement.
(iii) Chanchal Kumar is the hero of the film.
(iv) Patol Babu had to play the role of the pedestrian.
“He had done his job really well. All these years of struggle hadn’t blunted his sensibility. Gogon Pakrashi would have been pleased with his performance. ”
(i) Who is ‘he’?
(ii) Which job has he performed well?
(iii) Who is Gogon Pakrashi?
(iv) What do you mean by the phrase ‘blunted his sensibility’.
(i) ‘He’ is Patol Babu.
(ii) He has performed his role of an absent minded pedestrian well.
(iii) He is Patol Babu’s mentor or guru.
(iv) ‘Blunted his sensibility’ means, reduce his ability to perform. Time had not taken away from him his talent.
Counting your chickens again before they are hatched, are you ? No wonder you can never make a go of it.
(i) Who is the speaker?
(ii) What does it tell us about the speaker?
(iii) What is the antonym of ‘never’?
(i) These lines were spoken by Patol Babu’s wife
(ii) These words of the speaker gives us an understanding of her pessimism. .Besides she comes across as a very sarcastic woman, who is in the habit of discouraging her husband and doubting his abilities as an actor, who, she feels is a daydreamer.